“The near proximity of a tiger…

in daylight, even when it has not seen you, causes a disturbance in the bloodstream.”

Jim Corbett’s a sanguine fella, suspended in a sagging tree with a man-eater tigress prowling the outer dark below his feet. I’ve been around the book track many times but I can still find narratives that dazzle and drag me away from the Oxford floods and the grindings of a booze-free January. Corbett’s tales of hunting rogue leopards and tigers in the Himalayan foothills are weirdly fresh and detailed enough to take you right into the jungle scrub. But it’s a life that’s long gone, back when the population of India was only at 200 million. These days the tiger national parks are throbbing with tours and Pentax snappers, what’s left of the wild is mapped and fenced. But I’ve still got my dreamings, my dog-eared, tea-stained library edition of Corbett and my Chiltern wanderings. That’s glimpse of the wild enough.

woods

Breathe life into words…

and logos too. Here’s a reader figure for the press that should start clacking and spitting ink early next year. I can’t decide if he’s more hep cat or poetry-drunk parson but either way he’s out there now, drawn and extant, roaming the id.

reader

Brussels has no sadness…

like century-stranded Lisbon or Valparaiso but it was damp and colourless on a visit last week. There were some giggles but no mirth. And the gluhwein crowds were stumbling and stolid and blank-eyed at the Christmas markets. The museums have sold all the decent Magrittes and the war fields you coast past to get there are as drab and boundless as war thoughts demand, part-hidden in mist. I sank a few Grimbergers and that made it better but there was no whiff of magic and I caught the night-morning cab to the Midi station feeling, “who the hell are you coming here, skipping the Menin Gate and dissing King Leopold?” Next time I’ll go straight to Ypres, pay my respects and head on south.

street

Poetry’s not algebra…

but it’s the high-hooch of distilled meaning. It bites deep. Here’s the line-mob from In Parenthesis, waiting to go over the top.

 

Last minute drums its taut millennium out

you can’t swallow your spit

and Captain Marlowe yawns a lot

and seconds now our measuring-rods with no Duke Josue

nor conniving God

to stay the Divisional Synchronisation

 

When it all settles down, internetization complete, I hope there are some people still reading David Jones.

Knew a guy…

who bought a house out in the woods. He bagged a few acres and he likes his own company. There are times I think he got it right, and often when I ride the train to London and forget to seek out the quiet coach. Gotta love those office catch-up calls. Riding through Pangbourne and into the tree-dark cuttings I press my cheek to the glass and dream of a life in the woods, free from all devices. But I’m just another city-boy faker and I know it. And that guy I know spends two hours a day, every day, stoking his log burner…

mine

Tramping the green lanes…

above Hambleden today, mindful of the American units encamped here in the run-up to D-Day. I caught mention of them, reading for a book I’m trying to put together. Master of the Light Brigade was born in the village and there’s a Roman fort over the field so these woods should be full of the vapours and phantoms of gone-fighting men, but there was not even a sigh to disturb the circling Red Kites. Blunden’s ears would have pricked up at their call.

wood

Night Thoughts…

by Young kept Edmund Blunden sane in the trenches. You can see how Blunden draws strength from the long poem in his own, Undertones of War. I went in search of Night Thoughts. The great Library of the Dead yields another, time-slaying treasure.

 

All men think all men mortal, but themselves:

Themselves, when some alarming shock of fate

Strikes through their wounded hearts the sudden dread;

But their hearts wounded, like the wounded air,

Soon close; where pass’d the shaft, no trace is found.

As from the wing no scar the sky retains;

The parted wave no furrow from the keel;

So dies in human hearts the thought of death.

The best way to start writing…

is to start writing. And in that first, high horror nosedive into the white page you’ll never be more alone. Lonely like the wolf calling from a Teton ravine. Lonely like Custer waiting for his relief company to ride over the Bighorn hill. And it never gets any easier, teetering over the first few lines. But at least it scythes us even. Heroes, hopeless and hapless, we’re all alone at the desk, with nothing but the neuron fizz making our fingers flash cold.

This world is just a ride…

said the great, dead-too-young Bill Hicks. I’ve been thumbing though his Love All The People paperback collection this week, looking for chuckles in a blowy Oxford. I’m an old fan of Hicks and can half-recite a clutch of his routines – the incredulous waffle house waitress who catches sight of him hugging a book post-show and tut-tuts, “what yer reading fer?” is a fave – but like all good prose it measures up to revisits. And it stays funny because Hicks was pushing a little further out than most stand-ups, sketching a bigger plan than just dick jokes and observational blather. Hicks had something to say.

I’ve craved laughs after a run of bad news from publishers and peers and an unignorable undertone of book biz disenchantment. This might be caused by a sour and lingering industry-shutdown over the summer or simple flag-bearing fatigue for the book cause but either way it hasn’t chimed well with my latest and most-tremulous of schemes – setting up a small press. In recent weeks I’ve been talking with printers, designers and commissioning eds across several genres, trying to get ideas and fix estimates for launching three YA titles penned by myself. After twenty years of freelancing I feel I ought to be able to publish some books of my own and at least break even, or learn the lesson and retreat shamefaced from the field. There’s a behooven boldness for anyone who wants to call themselves a writer; just tapping out the words is an act of daring. And you can’t live in fear of the unseen ends channeling off from every decision either on the page or in life. You have to ride through the choices and keep breathing and battling and dreaming a little.

At the St Giles’ Fair in Oxford with my kids, musing on the hard work and risks to come, I remembered the words of Field Marshall Foch in a message to his commanders from a 1914 battlefield: Hard pressed on my right. My centre is yielding. Impossible to manoeuvre. Situation excellent. I am attacking. And it struck me that it’s either that, the boldness, or acquiesce. I watched the people on the rides flash by, whirling and shrieking, their faces shot with fright or adrenalized glee, and I thought of Hicks. You have to keep getting on the ride. Bony-fingered misanthropy will only ensnare you and chew you up if you turn away from the ticket booth. So I hopped on the dodgems with my youngest and pushed the pedal to the floor.

ride