through plastic channels, capacitor pots and burned metal contacts. Down the copper wire to the shuttered exchange, its 30s bricks all splattered with graffiti. From there we flash through space, tunnel into the Kentucky servers blasting through their yes/no, on/off tireless assemblage of dots and digits all to be bounced back to our little screens before we can blink. Today I’d rather be reading Singer. I choose ink and aged paper, relics from the pre-internet age. If I don’t keel over with the stalking plague I’ll be en train to the coast in a day or two. I’ll tie knots, work lines and engines and remember how cold the Blighty spray can be. But until then I’m chained to this device and the LED glow. I tinker with its entrails and secret pathways, unscrewing its mysterious linkages from the landing wall.