at the Temple of the Worthy, for a sundowner and lakeside banter. Do only the ruthless win the right to be etched in stone, or can the hapless, the dreamers and lazers earn a place on the crescent? I’ve written some words that mean a lot to me, but can they touch the hearts of others?
number. Roerich claimed the trio of dots in a circle were church, science and art held within infinity. Maybe if I was up at Everest base camp and I saw them daubed on a rock I’d feel the same way? The three ages, the unwritten trilogy, three-piece rock bands always the best, triangles as cornerstone of geometry and Ruskin, three fingers of whisky, my past present and future, here there and everywhere as I pad out for my morning coffee. And three Norns spinning those threads of fate.
I’d like to go again. It teaches you how wide the oceans roll, how little we’ve concreted over, that it’s a joint stock world full of wonders as Melville said, despite all claims and posturings to grab and own. And it teaches you that this planet’s round, the hoop return will change you, ready you for the next time heading out.
where no one goes. It’s a lonely ride into the fog, and more than a mile to the next bridge. Any shape could step out of this white mirk and all I’ve got for protection is my tin bell, to ward off escaped lags and other mythic crazies. But it’s this or the four walls. Those walls drive you out into the fog, to the cafes, galleries, the library and mountain top.
always seems to be one roll away. Was I close, truly, or was it an unbridgeable chasm of might-have-been? It’s galling, that not-knowing, all the pathways with no retracing, just the click of your steps stumbling ever-forward, the tug of the future at your sleeve, an annoying host dragging you from room to room. I try to make future wait, freeze time like Jef Costello lounging in his black-walled room in the titles for Le Samouraï, sound of tyres in the rain and his caged bird’s chirrup. But the clock won’t stop and there’s no hiding, not even in the Paris backstreets or the ocean untamed, it comes knocking for us all, brings the priest and doctor running over the fields in their long coats, as Larkin warned me long ago.
left for students of souls and cities. Night-tryst comedians passed this way, cat burglars and conjurors, anyone and anything you care to read into your objet trouvé. I craft some story of a ghost dicky bow on my way to the miso restaurant, windowsill shrine to a fallen Holywell Street cavalier who’d take taxis to avoid creditors and never quite finished his first, short collection.
running from my writing cell. Storm where are you blowing to, can I ride along on those steel-white billows, gulls at my feet, the green sweep of earth rolling away to horizon’s crescent flash. Taste of a snowflake crafted over some other ocean or continent on these thousand-day dry lips. I could clamber out into the roof gutter, don my emergency Daedalus suit and let the winds snatch me from the slates. Too soon though, this isn’t my storm. I’ve miles still to stomp in these reality boots.
but I use everything I grow. The bay and rosemary saw me through winter, it never got cold enough to kill them off. There’s an apple tree at the new house, sapling in the orchards that stood there when the council sold the land in the 30s. I’ll cut these herbs down and replant them, the mint will be spreading wild over the ground by August. I’ll have apples and mint, chives and sage. I’ll cut Riverman a branch of rosemary, with a string tie for his galley wall.
comes wisdom, but that won’t hold a crowd. Wisdom and truths are for the fireside, the night watch pillow book and the heath. The crowd will stand for youth, they’ll give them their shout. And they’ll gather to be entertained. I watch the entertainers on the tv, looking for their crowd. I’ve skimmed their books, they’re no good, they won’t make it into the Library of the Dead, but that was never the hope, the books are just another chance to hold the crowd, they’re no more important than the interviews and the speeches and the wave to the camera pack, it’s all about the lights and the crowd. You don’t have to be a hermit to write a book that’s worth something, but you might have to be lonely. You hold out from the loneliness on your raft of words. And when the day’s quota’s done, you can come down from the keep and step out into the world, crave no lights, crave no crowd.
marvels Riverman, holding his glass up to the late morning rays. I’ve bought him a pint, I’m on fizzy water. Just a social call, to see how you’re doing, got to get back to it, but he wants to nip to the pub. All the tiny things, he says. All so busy, dashing and colliding. The music of the spheres, billions of years old, just reaching us now and nudging a particle and we can detect it. And I thought it was a long way down to North Devon. He sips, cuts the foam from his lip with a square thumbnail. And you worried I’d washed away, rushing out here in a panic, far from it, lad, I’m sound as a pound and anchored. I say my laters, leave him smoothing a pub paper out on the oak.
